Directors with creative angles

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Post by CORPSE GRINDER »

AMEN!!
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Post by Lorenzo_amateur_prods »

this is one blood dripping weopony forum

[Edited on 27-9-2003 by Lorenzo_amateur_prods]
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Post by El Brenty »

We are all clearly mislead, but have found a common place to guide us!

Hey, I'm not asian! You guys saw the photo, remember with the giant cat!

Oh I'll post it back up soon!


Creative angles rock when you're using swordsplay in movies! I love it when they show the swordsman fighting away like you're looking through his eyes!
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Post by Lorenzo_amateur_prods »

creative angles always rock... yeah i remember the cat LOL that was funny
-Cause i could just as well go and live in the hills, George...
-You could just as well go to hell. Shut up and sleep.

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Post by kowalski »

Anyone seen Jim Muro's "Street Trash"? There's some great, inventive steadicam work in it, as well as enough gore/politically incorrect dialogue to keep the most discerning film lover happy, and all shot for about £1.50 - a budget most of us are probably familiar with!
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Post by Carnage7p »

i like the camera angles in pi.

welcome to the forums kowalski
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Post by Lorenzo_amateur_prods »

pi?
-Cause i could just as well go and live in the hills, George...
-You could just as well go to hell. Shut up and sleep.

Lorenzo Lev
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http://www.filmmaking.150m.com (Not finished yet)
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Post by Carnage7p »

you havent seen pi? it's a great movie. by pi i mean like the symbol that equals 3.14? it won the sundance film festival a few years back and is one of my favorite movies.
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Post by foxwood »

Ya its interesting then the directer went on to make Requeum for a dream which is cr**, he took all the good things people said and went over board, with angles and such. See what a good film maker can do when he thinks to highly of himself.
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Post by Carnage7p »

i didn't think requiem for a dream was horrible but it wasn't good either. it was so depressing that it wasn't fun to watch.

[Edited on 28-9-2003 by Carnage7p]
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Post by El Brenty »

I hate depressing movies, or movies with endings that suck!

Like some of the Planet of the Apes movies - You get all the way through the movie, hoping it's all going to be okay, and BAM, they hit you with a crappy depressing ending! Makes you want a refund when you go to the cinema to see it!
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Post by Carnage7p »

yeah i agree. underworld is one of those movies. i hated it.
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Post by foxwood »

I just wanted what felt like a story with requeum, I just didn't enjoy it I felt bad after watching it and I felt that I had wasted money renting it. I just hated it.
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Post by CORPSE GRINDER »

Who's seen MULLHOLLUND DRIVE? Now that's one of the weirdest movies EVER!!
"This is when I saw the dark figures moving about in the woods. I should have never tampered with the 'Book Of The Dead.' I now know that whatever it is I have resurrected through this book, is coming for me."

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Post by foxwood »

Crazy david Linch flick. You want to see a strange movie watch Pink Floyeds The Wall.
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Post by reflexive_cinematics »

foxwood wrote:Exactly, I'm saying that the films are bad, Black hawk down is one of the best War films ever.
yeah, but too bad the f*** government made them change the info so that the military didn't look stupid. example: the ranger David Grimes in the movie.. that wasnt' his real name...his name was John ' stebby ' Stebbins and he was court martialed and thrown in the stockade for sodomizing and raping a child under 12.

Some hero.


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Post by cwf »

you just brought a thread back that was over a year and 5 months old?!!?!?!?
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Post by crb »

My favorite directors when it comes to angles (and not just angles, but to me using the scenery and building the moment) are Spielberg for Schindler's list and Saving Private Ryan, I also liked the way he shot that Tom Cruise movie ooh what's the name when he sees someone is going to kill someone before they do.... anyways, Mel Gibson for the way he shot Braveheart and The Passion, Rodreguez, especially for El Mariachi, Tarintino for the way he shot Pulp Fiction (even though I'm not apealed to the raping scene, this is about angles), Hichcock for the Birds (which was inspiration for M. Night in "signs"), I like M. Night especially for "signs". Some of how they shot The Rock was good, even though I think the story was wrote totally wrong. And my last favorite was Michael Mann for The Last of the Mohican's. That's still one of my favorite movies! I love how Micheal Mann used nature to really builld the feel of the movie. He also built up the moments in the script.
Pearl Harbor, it had some nice shots. But the problem wasn't Micheal Bay, even though I'd like to blame him. And in a way it wasn't Jerry Bruckheimer, it was the stupid script writter. They should have fired him and got someone who could write (like me, just joking!) You make a movie that you advertise as Pearl Harbor (the battle!) and then you take 90% of the movie and make it a soup opera. And then you make those words on the screen so small you can't figure out what they are saying. They should have started the first scene the day before teh battle and had the end of the scene the day after. And then had Michael Mann direct it and make the batttle feel like it went on for eternity. Or even yet, Spielberg should have done it and made it feel like Saving Private Ryan. It was a major disapointment. Oh another flaw in that movie that goes by the name of Ben Affleck.
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Post by cwf »

crb wrote:I also liked the way he shot that Tom Cruise movie ooh what's the name when he sees someone is going to kill someone before they do.... anyways
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Post by SgtPadrino »

The government didn't change anything about Black Hawk Down - it was Ken Nolan, Jerry Bruckheimer and Ridley Scott that did it. There was over 100 ground troops that participated in the battle and it's impossible to keep track of all them in a two and a half hour long movie. So, half the characters are composites, and even those that aren't end up doing things that other people did or things that never happened. Stebbins wasn't in the movie because his ex-wife objected to him being portrayed as a hero. I don't get why you're so mad at the government; without them there wouldn't be a Black Hawk Down. They handled the negotiations with the Moroccan government to allow eight military Black Hawks and 100 Rangers to be shipped to the set, and oh yeah, supplied the eight military Black Hawks and 100 Rangers as well.

But if everything you say about the government censoring it is true, then why did they completely embrace the book, which shows groups of rag tag African militia practically bringing an immense fighting force of the mightiest military power in the world to its knees, and an immense amount of errors and mistakes on the part of the US government? Ridley Scott only wanted to tell one side of the story, and that's what he did. If you want both sides of it then read the book.
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Post by Father_McGrueder »

No one here a fan of Lucio Fulci? He is a man of amazing visual style. The shots and editing in his films are really second-to-none. Astounding man.
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Post by film fanatic »

Oh my god! What an old thread! My opinions have changed and so have my grammatical and spelling skills ;)
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