I meam, "Whoa!, He's not in the U.S.!" The whole time I thought you were.santi wrote: And what do you mean by "holy s***"?
New hitman movie, err... I guess
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Even with my bad english? I had "American Slang Dictionary" but I can't find it for a few weeks (I need to buy a new edition - this one is 10 years old).mercenary123 wrote: I meam, "Whoa!, He's not in the U.S.!" The whole time I thought you were.
Santi
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Back to topic, since I couldn't make the movie (cause I was watching Collatarel + it rained) I decided that I'm going to rewrite the script throughout this week and hopefully film next Saturday. Also, I'm starting a new thing, i say "Ok, I need you to be asolutely sure you'll make the movie, and not just say, probably." That new technique may work.
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yes. It's just that I've had some people I know (Not naming any names, tho) that say that they can film on this specific day, when they accidentally forgot they had something important going on that day, such as a job interview.
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That happens all the time when you don't have dedicated actors.2nd_Recon wrote:yes. It's just that I've had some people I know (Not naming any names, tho) that say that they can film on this specific day, when they accidentally forgot they had something important going on that day, such as a job interview.
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Ok, BOOYAH BABY!! I have finished the script, here it is...
1.5 Seconds with 9 Millie
(Version 2)
By
Thomas J. Ponder
FADE IN:
EXT. BUILDINGS - DAY (zoomed down sidewalk)
A woman, Millie Jackson, an assassin, is walking up the sidewalk. As she walks, she wears a dark grimace on her face. She sees a man walk past her on the sidewalk, just as he passes by her, everything slows, she watches him pass by, then everything turns back to normal and she corners into an alleyway.
The man continues down the sidewalk. Many moments later he passes another alleyway and two hands quickly pull his head in, the man’s body jolts as a distinct snap is heard, his body is lowered to the ground and dragged in.
INT. ALLEYWAY - DAY
Millie is standing there, she sets the man’s body against the wall and folds his arms, as if he was leaning against the wall, depressed. Millie walks out of the alley and looks around, she walks off calmly.
She stares ahead as another man with a suitcase is walking toward her. The suitcase has a strange symbol on it, showing that he is with a organization, clan, or agency. Just as the two pass by each other, the man swiftly hands the case to Millie, she takes it and walks off behind a building.
EXT. HOUSES - DAY (get shots of sky and scenery)
NOTE: get enough shots to really work with
The beginning credits roll, then the title.
DISSOLVE TO:
EXT. MILLIE’S HOUSE - DAY
Millie is walking down the down, she walks into her driveway.
CUT TO:
INT. MILLIE’S HOUSE - DAY
Millie steps inside her house and walks into the bedroom. She sets the suitcase down on top of a dresser in front of a mirror. She unlatches the locks and opens the case, inside is a folder, a video tape, and a cassette tape, but underneath that is a suppressed .45ACP pistol. Millie opens the folder revealing a paper and a photo of the next target.
CUT TO:
INT. MILLIE’S HOUSE - DAY
Millie is sitting in a recliner in her living room. She is looking at the paper.
CU. WORDS ON PAPER
The words read “Stephen Smith, local drug dealer.â€
1.5 Seconds with 9 Millie
(Version 2)
By
Thomas J. Ponder
FADE IN:
EXT. BUILDINGS - DAY (zoomed down sidewalk)
A woman, Millie Jackson, an assassin, is walking up the sidewalk. As she walks, she wears a dark grimace on her face. She sees a man walk past her on the sidewalk, just as he passes by her, everything slows, she watches him pass by, then everything turns back to normal and she corners into an alleyway.
The man continues down the sidewalk. Many moments later he passes another alleyway and two hands quickly pull his head in, the man’s body jolts as a distinct snap is heard, his body is lowered to the ground and dragged in.
INT. ALLEYWAY - DAY
Millie is standing there, she sets the man’s body against the wall and folds his arms, as if he was leaning against the wall, depressed. Millie walks out of the alley and looks around, she walks off calmly.
She stares ahead as another man with a suitcase is walking toward her. The suitcase has a strange symbol on it, showing that he is with a organization, clan, or agency. Just as the two pass by each other, the man swiftly hands the case to Millie, she takes it and walks off behind a building.
EXT. HOUSES - DAY (get shots of sky and scenery)
NOTE: get enough shots to really work with
The beginning credits roll, then the title.
DISSOLVE TO:
EXT. MILLIE’S HOUSE - DAY
Millie is walking down the down, she walks into her driveway.
CUT TO:
INT. MILLIE’S HOUSE - DAY
Millie steps inside her house and walks into the bedroom. She sets the suitcase down on top of a dresser in front of a mirror. She unlatches the locks and opens the case, inside is a folder, a video tape, and a cassette tape, but underneath that is a suppressed .45ACP pistol. Millie opens the folder revealing a paper and a photo of the next target.
CUT TO:
INT. MILLIE’S HOUSE - DAY
Millie is sitting in a recliner in her living room. She is looking at the paper.
CU. WORDS ON PAPER
The words read “Stephen Smith, local drug dealer.â€
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Well, I'm already finished with the script as you can see, but the movie will be on hold for a bit cause I'm going to make a "remake of the remake" of The Setup that will be 3min. or less for a film competition on here. The Script I wrote for it is like a 1&1/2 pages long, with something that short I can easily make it in like 30min..
But anyway, I think 1.5 Seconds with a 9 Millie will be a good movie, also I'm getting alot better with my music makin' so that'll help too.
But anyway, I think 1.5 Seconds with a 9 Millie will be a good movie, also I'm getting alot better with my music makin' so that'll help too.
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I double posted, who gives a cr**?
Anyway, sorry but it looks like i won't be making the 9Millie movie. I'm planning to make some WAY better movies and i don't feel compelled enough to make this one. So no movie, however the actress volunteered to rewrite the script (i have NO idea why). But, if she writes it to where i like then i'll make it, but till then NO MOVIE. Yeah, sounds kinda stupid but that's the way it will be.
Sorry Wildabeast, i know you were anxsious to see the movie.
Anyway, sorry but it looks like i won't be making the 9Millie movie. I'm planning to make some WAY better movies and i don't feel compelled enough to make this one. So no movie, however the actress volunteered to rewrite the script (i have NO idea why). But, if she writes it to where i like then i'll make it, but till then NO MOVIE. Yeah, sounds kinda stupid but that's the way it will be.
Sorry Wildabeast, i know you were anxsious to see the movie.
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I would have to agree with Kentertainment here.Kentertainment wrote:I wanted to see it too! You should really stick with it since you went through all that writing and stuff and clearly you said.
I think you should just make it.The Script I wrote for it is like a 1&1/2 pages long, with something that short I can easily make it in like 30min..
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