ww2 soundtrack
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ww2 soundtrack
anyone got any ideas?
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4/4 time, perhaps a snare drum cadence in the background for that patriotic feeling. Trumpet fanfares are also a big one.
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Check out the film We Were Soldiers and listen to the music throughout that film. There is some great Military/Patriotic music. It should give you a really good idea as to what to use.
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I have that soundtrack. Very good usage of song choices. I recommend it! Although mind it is a Vietnam War film too.
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You can purchase all those soundtracks. Band Of Brothers also has a good soundtrack. And anything by John Williams!tallman_house_pictures wrote:I used a song of of Air Force One (the one in the trailer).
Yep, check out the ones to movies like: We were soldiers, SPR (if there is one), MOH(well, this is a game), Black Hawk Down (well, mabey) ect.
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I like the BOB soundtrack. I like writing my own music, so it's a nice pay off. If I owned my own piano, I'd be set!
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Most WWII soundtracks use lone french horns and trumpets to accentuate emotion in a scene, and it generally works incredibly well (MoH theme music and Saving Private Ryan, to name two) The Black Hawk Down soundtrack was spectacular, but it'd be a sucky choice for WWII. You could get away with no music at all until the end, or when you're trying to make an especially powerful scene, which is what we're going to do with our WWII movie.
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What also is fun, but extraordinarily challenging, is set a film to music.
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Alos try the music from "Glory", "Gettesberg", and "God and Generals". There all from civil war films, but they would also sound good in a WWII.
I wouldn't use the soundtrack to saving private ryan for action sequences, or much of the rest of your film. It is very overrated.
If your movie happens to be set on the eastern front. Check out the music for "enemy at the gates".
I wouldn't use the soundtrack to saving private ryan for action sequences, or much of the rest of your film. It is very overrated.
If your movie happens to be set on the eastern front. Check out the music for "enemy at the gates".
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I like doing it with great classical pieces. Film soundtracks already have a set theme to them from the film it was written for. But to use a Beethoven or Brahms masterpiece, then it's quite fun!
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I'm going to go with you on this. As much as I like using film sound tracks in my work they can some times pull you out of the movie. When I make my WW2 flick, and I will, I am only going to have two instances of music, an opening and a closeing. And both will be something classical or peried, because I don't know that just seems right.Epsilon wrote:I like doing it with great classical pieces. Film soundtracks already have a set theme to them from the film it was written for. But to use a Beethoven or Brahms masterpiece, then it's quite fun!
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Between the beginning and end (with one exception towards the end), Saving Private Ryan contained no music, which I think worked better than overloading it with music (which really sunk the beginning of Enemy at the Gates). Basically if you want a powerful/emotional scene, SPR music is the way to go.
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They used a bunch of music in long shots throughout the film. Just never during action scenes.
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